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Meanwhile, keyboardist Frank Delgado washes it all in ghostly drones and gurgling effects, capturing a mood that ripples between paranoia and euphoria. Guitarist Stephen Carpenter plays the willing accomplice throughout, slipping between silvery, snaking licks and atonal riffs. On “Digital Bath,” he daydreams about an electrocution, whispering seductively under the narcotic spell of a liquidy synth on “Passenger,” he trades taunts with Tool’s Maynard James Keenan on a whiplashing ride that’s heading straight to either transcendence or hell. It’s certainly not the only time he flirts with death. Lead single “Change (In the House of Flies)” speaks to the mania those corporeal pleasures can elicit-its menacing plod gives way to an explosive chorus, then a sinister request: “Give you the gun, blow me away,” Moreno chokes out at the bridge. But the rest of the album teases and torments within far more debaucherous environs, starting with the title itself, White Pony, a symbol of sex and a certain powdered stimulant. Punctuated with adolescent angst, frontman Chino Moreno’s overblown raps bounce off the metallic squall as if ricocheting through locker-strewn hallways. Opener “Back to School (Mini Maggit)”-a tidier rewriting of final track “Pink Maggit”-documents that takeover in radio-friendly format. By 2000’s White Pony, they had effectively seized that scene, drowning its rage and recklessness in a moody, muddy stew of experimental metal, shoegaze, post-hardcore, and ambient noise. The basic white pony against the silver backdrop is a clever depiction of this record’s theme and digital flair.įor more Off the Record, check out or follow me on social media.Sacramento’s Deftones spent most of the ‘90s feverishly navigating the fringes of alt-metal. Moreno is responsible for the iconic white pony depicted on the album art. It’s featured on Rolling Stone Magazine’s “100 Greatest Metal Albums of All Time.” The right words don’t exist to thank my mom for placing this record in my life. It’s a nice parting gift from that style. If I haven’t already, when he whispers “Blow me away” at the three-minute mark, I completely lose myself in the song.įrom what I’ve read, I don’t think Moreno was super psyched to sing “Back to School – Mini Maggit” because he was over rap rock. The theme of this deeply resembles a favorite song of mine I discovered much later in life, Modest Mouse’s “Fly Trapped in a Jar.” The most widely known song on the album is “Change (In the House of Flies).” This track truly set a tone in my life and, again, dictated my musical taste in an unexpected way. I often find myself doing this with the likes of Radiohead, Bonobo and other musicians. But conceptual albums like this one are a gift because you can truly mold them into what you need them to be. “White Pony” frequently alludes to drugs, as indicated in the album title. “Digital Bath’s” lyrics, however, have a much darker context expressed in the song title. It has a lot of musical influences words often used to describe it are metal, trip-hop, dream pop, shoegaze and experimental. This album feels a bit like taking a digital bath because it’s genre neutral. This was the first album Frank Delgado was an official, full-time band member on the turntables and synthesizers, so I feel like the song title is appropriate. “Digital Bath” gives me chills, because it instantly transports me back to those nights spent riding in the car with my family. I crave a little darkness in my lyrics, seek out off-beat drums with parsed-down guitar and prefer even my pop-rock singers to croon a bit.
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While “White Pony” wasn’t the most uplifting album for a child, it shaped my musical taste today in a fascinating way.
#Deftones albums white pony series#
Her email address was “moshpitmama” with a series of numbers after it I’m sure - don’t worry, she was still sweet and small. My mom grew up near Sacramento, California - where I was born and where Moreno grew up - so I think that’s probably what drew her to Deftones. A million times I curled up in the backseat and drifted to sleep to the sound of Chino Moreno’s breathy vocals. If it wasn’t Korn, Limp Bizkit, Rage Against the Machine, The Smashing Pumpkins or Kittie, it was Deftones. Along with the Deftones, he co-wrote 'Passenger' and his presence is definitely felt. One of the more interesting things on 'White Pony' is Manyard James Keenans guest appearance on here. I grew up in a small Oklahoma town, and she played it in the car every time we drove out of town to eat at a nice restaurant or to go school clothes shopping. The song is absolutely beautiful and its Chinos singing that makes it so pleasing as well as the somber guitar riff. This was one of the first albums I listened to from start to finish, courtesy of my edgy mom. Not many records are nostalgic for me - I haven’t been alive that long.
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Off the Record is a music column featuring a new or vintage vinyl record each week.įavorite track: “Change (In the House of Flies)”
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